Showing posts with label professional artist. Show all posts
Showing posts with label professional artist. Show all posts

Friday, February 12, 2010

Unique or ... un-skilled?

(This image has NOTHING to do with this post, I just like it; it's of friend and colleague Cherie Renae in Kauai, posted here 'cause it's purty to look at! And please note: she's very skilled!)

It's sad, but I suppose it has ever been and always will be the case ...

I viewed a number of websites today, of supposedly "hot" photographers recommended by various and sundry on-line sources. Like most dedicated amateurs and my professional peers, I love looking at other photographer's works. It often inspires me, it calls me to learn, to stretch, to grow, and to become more than I am now. And there are many fine and talented artists in my chosen medium and profession. Yet in these specific photographers I viewed today, I was very, very disappointed.

The text for all these sites explained in various words and phrases that they aren't "stuffy" and don't require their subjects to be stiffly posed while someone adjusts lights and drops and props forever in a dark room somewhere (like ... other ... photographers). These photographers say they, unlike ... other photographers ... present "real" people and "real" moments in"real" places. And that they can do it anywhere, unlike other photographers.

It's a bit of an over-the-top condemnation of so many of my peers, but I always want to see what a photographer can do with that camera before judging their skills and abilities. There's the old line, it ain't braggin' if you can do it. And some can!

In the picture galleries these photographers showed I could not detect any consistant knowledge of light and it's effect on the photographic image past the concept of getting enough quantity of light into the camera for a basic "exposure". Um, Houston, we have a problem here ...

The camera only captures the color and quantities of light that enters and is focused by the lens. Cameras do not have a "substance detector" circuit or chip. In reality, light IS the image! Those "real" ... things ... out there, that we point our cameras at, do NOT exist to the camera! To it, there is only ... light. To a camera, there is no reality, no substance, no solidity ... only light. The understanding of this basic fact is the FIRST step to understanding the craft of the photographic image. And a constant stumbling block for those of us who always think we have this mastered!

The majority of the images shown in these sites were of people who were "flat", almost like poorly-drawn cartoon characters, with no dimension, no depth, no substance. Sometimes the expressions were animated, sometimes there was movement shown, but often, even the expressions were as flat as the cartoon characters they inhabited. The eyes were quite commonly dark-shadowed holes in the faces of the subjects, especially in the little ones whose eyes should show us the wonder of the world around us. One face of an image would be so bright there was little if any detail left in the skin, yet another person's face was shadowed so darkly I couldn't see the expression.

And I still clearly saw people uncomfortable to be in front of a camera. For all the photographers' expressed intention at letting their subjects be "natural", they still had their fair share of subjects for whom this was clearly NOT natural.

In the midst of these galleries were a very precious few images with beauty and grace, with subjects that were properly placed with regard to each other and the light falling upon the scene. Some few images that I enjoyed seeing and in which all the people have substance and depth, the photographic illusion of reality. But these few beautiful images are clearly and only simple accidents of nature for the photographers whose sites I visited today, and not the display of an artist's craft.

But this to me, is worse: they all chose to denigrate those photographers who have the knowledge and skill to do the rest of the job. The majority of the jobs, tasks, and skills of being a people-photographer, in fact. The numerous parts of the job these photographers are either unaware of or (perhaps) unwilling to learn.

And I was left with this most amazing impression: these photographers are PROUD of this!

Occasionally ignorance is bliss. Most of the time it's just ignorance. The combination of pride and and ignorance is most often just ... sad.

Capturing "real" moments is a necessary part of the professional's craft, but only one of several necessary parts! No matter how you try and spin it, ANY moment captured as part of a photographic session is a created moment. A skilled and experienced professional not only can help the subjects to create those moments any time and any place, but also knows how to light and sculpt that moment for the camera so that your eye is captured by the resultant image and will enjoy studying that image for many years to come. Any time, any place.

Are there boring techno-geek photographers out there? Yes, of course ... just like there are un-skilled picture snappers who are proud of their ignorance. And as we are always simply humans, no more nor no less, we will always have them among us.

But walking and working among us are those whose images make me cry, laugh, and sing at the same time ... and whose craft and spirit drive me to be better than what I am now. To serve my clients and my fellow humans with every bit of wisdom, craft, and shred of humanity I may possess. And to challenge my self and my peers to become what we CAN become, both for our own best develpment and for the service we will then provide to our clients.

Learning and growing is always hard work and often humbling. We stumble continually into our own inadequacies and are forced to learn and to grow to show that we ARE the stuff of stars and not just a lump of useless clay. We aren't just a lump of clay, we can be ... and can become ... worthy of those who show the way. And worthy of those who need the images of their loved ones that we can provide.

And along that way, the path of LIFE, are those moments of shining brilliance that make LIFE worth the living and the sweat and the terrors and the tears. Settling for less in our selves is unworthy and demeaning. Let's get on with it!

Tuesday, March 3, 2009

Eureka!

Sometimes a great notion ... doesn't come, and yet as a professional artist we need to create whether "Eureka!" strikes or not. I've also found that waiting for "Eureka!" to come pretty much guarantees that it will never come. At least, not often enough to be worth waiting for. Certainly not often enough to pay the bills!

The suspense writer Tom Clancy has said he starts every day writing for work on his newest project. His tactic to avoid writers block is simply to start by editing the writing he's already done on the project, and by the time he's done some of that, his characters are tapping at his shoulder and wanting to get back to work with him.

Alan Held, a good friend and major operatic bass/baritone, says he doesn't warm up before a performance so much to "warm up" as we would get ready for say, sports, as to find where the various parts and registers of the voice are at that moment, and massage them into a seamless "whole". Parts or registers of the voice may feel like they are in a place different from the day before, but where they are now is the place he will need to be "in" to start the performance. They also may move as the performance progresses, and so, he must constantly and fluidly adjust what he does with the voice as it feels at that moment. If parts of the voice get out of place during a performance, the beauty and majesty of the voice goes away.

Both examples are, in their own ways, simply variants imposed by our respective media on what we as artists do to keep creating on demand. And that really is the difference between the professional and the amateur in anything ... the professional must create on demand, while the amateur can wait for "Eureka!" to come from somewhere out there.

As a photographic artist, I must somehow start when the session is ready to go, and then, as it progresses, adjust what I'm doing according to how I and my subjects respond to each other and the circumstances we've chosen to work within. No matter how hard we plan, I have to be open to winging it on a moment's whim, and also be ready to guide things back into the pre-arranged plan. And there aren't any guides or rules for making these kinds of decisions. It is always a choice of the moment.

A test all professional artists must constantly pass is how wisely we choose our course during the moment of creation, whether guided by "Eureka!" or not. It becomes a test of confidence, of the willingness to simply ... trust. Whether with voice or words or camera or oil, we have to trust in something that cannot be seen at the time, and can only be measured in value after we have let it fly. Life being what it is, the value of our work is ultimately set by others, quite often not even by the people who have contracted with us to perform our services.

The life of the professional artist is ultimately and always a work of faith. A willingness to live by intangibles, and to embrace uncertainty as a daily companion. I can't say as I'd recommend it to anyone, and yet, it is all I know how to ... be. The great operatic tenor Pavarotti once said that to be a professional artist, he needed to say to the world "I am a Tenor, you must listen to me!".

Well said, Luciano, well said.

We artists must find "Eureka!" somewhere in here, even if we don't know where we'll find here when we start. It's just what we do. It's how we live.